B♭m/A
- A7bass
- B♭Rtriad
- D♭♭3triad
- F5triad
4 ways to play B♭m/A
Every voicing sits inside one of the five CAGED shapes, low to high on the neck, with its octave doublings in grey.
- Triad note
- Substitute
- Added
- Anchored root
- Bass
- Doubling
Frets x 12 11 10 11 xNotes A D♭ F B♭Intervals 7 ♭3 5 1Base triadB♭ minor, 1st inversion
Frets x 0 3 3 2 xNotes A F B♭ D♭Intervals 7 5 1 ♭3Base triadB♭ minor, 2nd inversion
Frets 5 4 3 3 x xNotes A D♭ F B♭Intervals 7 ♭3 5 1Base triadB♭ minor, 1st inversion
Frets x x 7 6 6 6Notes A D♭ F B♭Intervals 7 ♭3 5 1Base triadB♭ minor, 1st inversion
The construction rules B♭m/A follows
Start from a triad
Root, 3rd and 5th, stacked in thirds. The 3rd makes it major or minor; the 5th makes it diminished or augmented when it moves.
A slash names the bass
Chord/bass puts any note under a triad. A chord tone gives an inversion, such as C/E; another note gives a new chord: G/F is G7 with the 7th in the bass.
All the rules, with examples, in the guide to the chord library.
Minor triad over the 7th in every key
More chords on B♭
B♭m/A chord questions
What notes are in B♭m/A?
B♭m/A is spelled A B♭ D♭ F: A is the 7th, B♭ is the root, D♭ is the ♭3rd, F is the 5th.
What is the formula of B♭m/A?
7 1 ♭3 5. It is a B♭ minor triad, over A in the bass.
How many ways can you play B♭m/A on guitar?
This page shows 4 voicings of B♭m/A, filed under the five CAGED shapes and named by inversion, from the open position up to the 16th fret.