B♭m7♭5

Character: wistful

  1. B♭Rtriad
  2. D♭♭3triad
  3. F♭♭5triad
  4. A♭♭7add
Voicings

8 ways to play B♭m7♭5

Every voicing sits inside one of the five CAGED shapes, low to high on the neck, with its octave doublings in grey.

  • Triad note
  • Substitute
  • Added
  • Anchored root
  • Bass
  • Doubling
CC shape 3rd inversion B♭m7♭5/A♭
9 10 11 12 13 R ♭5 ♭3 ♭7

Frets x 11 11 9 11 xNotes A♭ D♭ F♭ B♭Intervals ♭7 ♭3 ♭5 1Base triadB♭ diminished, 1st inversion

The ♭7th gets a string of its own.

AA shape 2nd inversion B♭m7♭5/F♭
1 2 3 4 ♭7 ♭3 R ♭5

Frets x x 2 3 2 4Notes F♭ B♭ D♭ A♭Intervals ♭5 1 ♭3 ♭7Base triadB♭ diminished, 2nd inversion

The ♭7th gets a string of its own.

AA shape 2nd inversion AnchoredB♭m7♭5
1 2 3 4 R ♭3 ♭7 ♭5 R ♭5

Frets x 1 2 1 2 0Notes B♭ F♭ A♭ D♭Intervals 1 ♭5 ♭7 ♭3Base triadB♭ diminished, 2nd inversion

The root drops to the string below the triad. The ♭7th takes the root’s string.

GG shape 3rd inversion B♭m7♭5/A♭
2 3 4 5 6 R ♭5 ♭3 ♭7

Frets 4 4 2 3 x xNotes A♭ D♭ F♭ B♭Intervals ♭7 ♭3 ♭5 1Base triadB♭ diminished, 1st inversion

The ♭7th gets a string of its own.

EE shape 3rd inversion B♭m7♭5/A♭
5 6 7 8 R ♭5 ♭3 ♭7

Frets x x 6 6 5 6Notes A♭ D♭ F♭ B♭Intervals ♭7 ♭3 ♭5 1Base triadB♭ diminished, 1st inversion

The ♭7th gets a string of its own.

EE shape 2nd inversion B♭m7♭5/F♭
6 7 8 9 ♭7 ♭3 R ♭5 ♭5 R

Frets 6 7 8 6 9 0Notes F♭ B♭ D♭ A♭Intervals ♭5 1 ♭3 ♭7Base triadB♭ diminished, 2nd inversion

The ♭7th gets a string of its own.

EE shape 2nd inversion AnchoredB♭m7♭5
6 7 8 9 R ♭3 ♭7 ♭5 R

Frets 6 7 6 6 x xNotes B♭ F♭ A♭ D♭Intervals 1 ♭5 ♭7 ♭3Base triadB♭ diminished, 2nd inversion

The root drops to the string below the triad. The ♭7th takes the root’s string.

DD shape 2nd inversion AnchoredB♭m7♭5
8 9 10 11 R ♭3 ♭7 ♭5 R

Frets x x 8 9 9 9Notes B♭ F♭ A♭ D♭Intervals 1 ♭5 ♭7 ♭3Base triadB♭ diminished, 2nd inversion

The root drops to the string below the triad. The ♭7th takes the root’s string.

The rules

The construction rules B♭m7♭5 follows

  1. Start from a triad

    Root, 3rd and 5th, stacked in thirds. The 3rd makes it major or minor; the 5th makes it diminished or augmented when it moves.

  2. A third on top makes a 7th chord

    A major 7th over a major triad is maj7, a ♭7 is a dominant 7. Over minor you get m7 or m(maj7); over diminished, m7♭5 or the °7, whose 7th is lowered twice.

  3. On guitar, something has to give

    Each extension takes the string of a triad note that matters less, usually the 5th, or gets a string of its own. The root and 3rd stay: they say what the chord is.

  4. The root can move down

    When an extension needs the root’s string, the root can drop to the string below the triad: an anchored voicing keeps the bass and frees a string on top.

All the rules, with examples, in the guide to the chord library.

Minor 7th ♭5 (half-diminished) in every key

B♭m7♭5 chord questions

What notes are in B♭m7♭5?

B♭m7♭5 is spelled B♭ D♭ F♭ A♭: B♭ is the root, D♭ is the ♭3rd, F♭ is the ♭5th, A♭ is the ♭7th.

What is the formula of B♭m7♭5?

1 ♭3 ♭5 ♭7. It is a B♭ diminished triad with the ♭7th stacked on top.

How many ways can you play B♭m7♭5 on guitar?

This page shows 8 voicings of B♭m7♭5, filed under the five CAGED shapes and named by inversion, from the open position up to the 16th fret.