B♭7

Character: bluesy

  1. B♭Rtriad
  2. D3triad
  3. F5triad
  4. A♭♭7add
Voicings

18 ways to play B♭7

Every voicing sits inside one of the five CAGED shapes, low to high on the neck, with its octave doublings in grey.

  • Triad note
  • Substitute
  • Added
  • Anchored root
  • Bass
  • Doubling
CC shape 2nd inversion B♭7/F
1 2 3 4 ♭7 3 R 5

Frets 1 1 0 1 x xNotes F B♭ D A♭Intervals 5 1 3 ♭7Base triadB♭ major, 2nd inversion

The ♭7th gets a string of its own.

CC shape 3rd inversion B♭7/A♭
10 11 12 13 R 5 3 ♭7

Frets x 11 12 10 11 xNotes A♭ D F B♭Intervals ♭7 3 5 1Base triadB♭ major, 1st inversion

The ♭7th gets a string of its own.

CC shape 1st inversion B♭7/D
10 11 12 13 5 R ♭7 3

Frets x x 12 13 11 xNotes D A♭ B♭Intervals 3 ♭7 1Base triadB♭ major, 1st inversion

The ♭7th takes the 5th’s string.

AA shape 2nd inversion B♭7/F
1 2 3 4 ♭7 3 R 5 R

Frets x 1 3 3 3 4Notes F B♭ D A♭Intervals 5 1 3 ♭7Base triadB♭ major, 2nd inversion

The ♭7th gets a string of its own.

AA shape Root position B♭7
1 2 3 4 5 ♭7 3 R

Frets x x x 3 3 4Notes B♭ D A♭Intervals 1 3 ♭7Base triadB♭ major, root position

The ♭7th takes the 5th’s string.

AA shape 3rd inversion B♭7/A♭
1 2 3 4 5 6 5 3 R ♭7

Frets x x 6 3 3 xNotes A♭ B♭ DIntervals ♭7 1 3Base triadB♭ major, 2nd inversion

The ♭7th takes the 5th’s string.

AA shape 2nd inversion AnchoredB♭7
1 2 3 4 R 3 ♭7 5 R 5

Frets x 1 3 1 3 1Notes B♭ F A♭ DIntervals 1 5 ♭7 3Base triadB♭ major, 2nd inversion

The root drops to the string below the triad. The ♭7th takes the root’s string.

GG shape 1st inversion B♭7/D
3 4 5 6 5 R ♭7 3 R 3 R

Frets 6 5 6 3 3 6Notes D A♭ B♭Intervals 3 ♭7 1Base triadB♭ major, 1st inversion

The ♭7th takes the 5th’s string.

GG shape 3rd inversion B♭7/A♭
3 4 5 6 R 5 3 ♭7

Frets 4 5 3 3 x xNotes A♭ D F B♭Intervals ♭7 3 5 1Base triadB♭ major, 1st inversion

The ♭7th gets a string of its own.

GG shape Root position B♭7
3 4 5 6 7 5 ♭7 3 R R 5 3

Frets 6 5 6 7 6 6Notes B♭ D A♭Intervals 1 3 ♭7Base triadB♭ major, root position

The ♭7th takes the 5th’s string.

EE shape Root position B♭7
4 5 6 7 8 ♭7 5 3 R 5 R

Frets 6 8 8 7 6 4Notes B♭ D F A♭Intervals 1 3 5 ♭7Base triadB♭ major, root position

The ♭7th gets a string of its own.

EE shape 1st inversion B♭7/D
6 7 8 9 5 R ♭7 3 R 5 R

Frets 6 8 8 7 9 6Notes D A♭ B♭Intervals 3 ♭7 1Base triadB♭ major, 1st inversion

The ♭7th takes the 5th’s string.

EE shape 3rd inversion B♭7/A♭
6 7 8 9 R 5 3 ♭7

Frets x x 6 7 6 6Notes A♭ D F B♭Intervals ♭7 3 5 1Base triadB♭ major, 1st inversion

The ♭7th gets a string of its own.

EE shape Root position B♭7
6 7 8 9 5 ♭7 3 R R

Frets 6 x 8 7 9 xNotes B♭ D A♭Intervals 1 3 ♭7Base triadB♭ major, root position

The ♭7th takes the 5th’s string.

EE shape 2nd inversion B♭7/F
6 7 8 9 ♭7 3 R 5 R

Frets 6 8 8 7 9 xNotes F B♭ D A♭Intervals 5 1 3 ♭7Base triadB♭ major, 2nd inversion

The ♭7th gets a string of its own.

EE shape 2nd inversion AnchoredB♭7
6 7 8 9 R 3 ♭7 5 R

Frets 6 8 6 7 x xNotes B♭ F A♭ DIntervals 1 5 ♭7 3Base triadB♭ major, 2nd inversion

The root drops to the string below the triad. The ♭7th takes the root’s string.

DD shape 3rd inversion B♭7/A♭
8 9 10 11 12 13 5 3 R ♭7

Frets x x x 13 11 10Notes A♭ B♭ DIntervals ♭7 1 3Base triadB♭ major, 2nd inversion

The ♭7th takes the 5th’s string.

DD shape 2nd inversion AnchoredB♭7
8 9 10 11 R 3 ♭7 5 R

Frets x x 8 10 9 10Notes B♭ F A♭ DIntervals 1 5 ♭7 3Base triadB♭ major, 2nd inversion

The root drops to the string below the triad. The ♭7th takes the root’s string.

The rules

The construction rules B♭7 follows

  1. Start from a triad

    Root, 3rd and 5th, stacked in thirds. The 3rd makes it major or minor; the 5th makes it diminished or augmented when it moves.

  2. A third on top makes a 7th chord

    A major 7th over a major triad is maj7, a ♭7 is a dominant 7. Over minor you get m7 or m(maj7); over diminished, m7♭5 or the °7, whose 7th is lowered twice.

  3. On guitar, something has to give

    Each extension takes the string of a triad note that matters less, usually the 5th, or gets a string of its own. The root and 3rd stay: they say what the chord is.

  4. The root can move down

    When an extension needs the root’s string, the root can drop to the string below the triad: an anchored voicing keeps the bass and frees a string on top.

All the rules, with examples, in the guide to the chord library.

Dominant 7th in every key

B♭7 chord questions

What notes are in B♭7?

B♭7 is spelled B♭ D F A♭: B♭ is the root, D is the 3rd, F is the 5th, A♭ is the ♭7th.

What is the formula of B♭7?

1 3 5 ♭7. It is a B♭ major triad with the ♭7th stacked on top.

How many ways can you play B♭7 on guitar?

This page shows 18 voicings of B♭7, filed under the five CAGED shapes and named by inversion, from the open position up to the 16th fret.