G7

Character: bluesy

  1. GRtriad
  2. B3triad
  3. D5triad
  4. F♭7add
Voicings

21 ways to play G7

Every voicing sits inside one of the five CAGED shapes, low to high on the neck, with its octave doublings in grey.

  • Triad note
  • Substitute
  • Added
  • Anchored root
  • Bass
  • Doubling
CC shape 3rd inversion G7/F
7 8 9 10 R 5 3 ♭7

Frets x 8 9 7 8 xNotes F B D GIntervals ♭7 3 5 1Base triadG major, 1st inversion

The ♭7th gets a string of its own.

CC shape 1st inversion G7/B
7 8 9 10 5 R ♭7 3 5 R

Frets x 10 9 10 8 10Notes B F GIntervals 3 ♭7 1Base triadG major, 1st inversion

The ♭7th takes the 5th’s string.

CC shape Root position G7
7 8 9 10 5 ♭7 3 R 5 3

Frets x 10 9 10 0 10Notes G B FIntervals 1 3 ♭7Base triadG major, root position

The ♭7th takes the 5th’s string.

CC shape 2nd inversion G7/D
7 8 9 10 ♭7 3 R 5 5 3

Frets 10 10 9 10 0 10Notes D G B FIntervals 5 1 3 ♭7Base triadG major, 2nd inversion

The ♭7th gets a string of its own.

AA shape 2nd inversion G7/D
1 2 3 4 ♭7 3 R 5

Frets x x 0 0 0 1Notes D G B FIntervals 5 1 3 ♭7Base triadG major, 2nd inversion

The ♭7th gets a string of its own.

AA shape 3rd inversion G7/F
1 2 3 4 5 3 R ♭7

Frets x x 3 0 0 xNotes F G BIntervals ♭7 1 3Base triadG major, 2nd inversion

The ♭7th takes the 5th’s string.

AA shape 2nd inversion G7/D
10 11 12 13 ♭7 3 R 5 R

Frets x 10 12 12 12 13Notes D G B FIntervals 5 1 3 ♭7Base triadG major, 2nd inversion

The ♭7th gets a string of its own.

AA shape Root position G7
10 11 12 13 5 ♭7 3 R

Frets x x x 12 12 13Notes G B FIntervals 1 3 ♭7Base triadG major, root position

The ♭7th takes the 5th’s string.

AA shape 3rd inversion G7/F
10 11 12 13 14 15 5 3 R ♭7

Frets x x 15 12 12 xNotes F G BIntervals ♭7 1 3Base triadG major, 2nd inversion

The ♭7th takes the 5th’s string.

AA shape 2nd inversion AnchoredG7
10 11 12 13 R 3 ♭7 5 R 5

Frets x 10 12 10 12 10Notes G D F BIntervals 1 5 ♭7 3Base triadG major, 2nd inversion

The root drops to the string below the triad. The ♭7th takes the root’s string.

GG shape 1st inversion G7/B
1 2 3 4 ♭7 R 5 3 3 R

Frets 3 2 0 0 0 1Notes B D G FIntervals 3 5 1 ♭7Base triadG major, 1st inversion

The ♭7th gets a string of its own.

GG shape 3rd inversion G7/F
1 2 3 4 R 5 3 ♭7

Frets 1 2 0 0 x xNotes F B D GIntervals ♭7 3 5 1Base triadG major, 1st inversion

The ♭7th gets a string of its own.

GG shape Root position G7
1 2 3 4 5 ♭7 3 R R 3 R

Frets 3 2 3 0 0 3Notes G B FIntervals 1 3 ♭7Base triadG major, root position

The ♭7th takes the 5th’s string.

EE shape Root position G7
1 2 3 4 5 ♭7 5 3 R 5 R

Frets 3 5 5 4 3 1Notes G B D FIntervals 1 3 5 ♭7Base triadG major, root position

The ♭7th gets a string of its own.

EE shape 1st inversion G7/B
3 4 5 6 5 R ♭7 3 R 5 R

Frets 3 5 5 4 6 3Notes B F GIntervals 3 ♭7 1Base triadG major, 1st inversion

The ♭7th takes the 5th’s string.

EE shape 3rd inversion G7/F
1 2 3 4 5 R 5 3 ♭7

Frets x x 3 4 3 3Notes F B D GIntervals ♭7 3 5 1Base triadG major, 1st inversion

The ♭7th gets a string of its own.

EE shape Root position G7
3 4 5 6 5 ♭7 3 R R

Frets 3 x 5 4 6 xNotes G B FIntervals 1 3 ♭7Base triadG major, root position

The ♭7th takes the 5th’s string.

EE shape 2nd inversion G7/D
3 4 5 6 ♭7 3 R 5 R

Frets 3 5 5 4 6 xNotes D G B FIntervals 5 1 3 ♭7Base triadG major, 2nd inversion

The ♭7th gets a string of its own.

EE shape 2nd inversion AnchoredG7
1 2 3 4 5 R 3 ♭7 5 R 3

Frets 3 5 3 4 0 xNotes G D F BIntervals 1 5 ♭7 3Base triadG major, 2nd inversion

The root drops to the string below the triad. The ♭7th takes the root’s string.

DD shape 3rd inversion G7/F
5 6 7 8 9 10 5 3 R ♭7

Frets x x x 10 8 7Notes F G BIntervals ♭7 1 3Base triadG major, 2nd inversion

The ♭7th takes the 5th’s string.

DD shape 2nd inversion AnchoredG7
5 6 7 8 R 3 ♭7 5 R

Frets x x 5 7 6 7Notes G D F BIntervals 1 5 ♭7 3Base triadG major, 2nd inversion

The root drops to the string below the triad. The ♭7th takes the root’s string.

The rules

The construction rules G7 follows

  1. Start from a triad

    Root, 3rd and 5th, stacked in thirds. The 3rd makes it major or minor; the 5th makes it diminished or augmented when it moves.

  2. A third on top makes a 7th chord

    A major 7th over a major triad is maj7, a ♭7 is a dominant 7. Over minor you get m7 or m(maj7); over diminished, m7♭5 or the °7, whose 7th is lowered twice.

  3. On guitar, something has to give

    Each extension takes the string of a triad note that matters less, usually the 5th, or gets a string of its own. The root and 3rd stay: they say what the chord is.

  4. The root can move down

    When an extension needs the root’s string, the root can drop to the string below the triad: an anchored voicing keeps the bass and frees a string on top.

All the rules, with examples, in the guide to the chord library.

Dominant 7th in every key

G7 chord questions

What notes are in G7?

G7 is spelled G B D F: G is the root, B is the 3rd, D is the 5th, F is the ♭7th.

What is the formula of G7?

1 3 5 ♭7. It is a G major triad with the ♭7th stacked on top.

How many ways can you play G7 on guitar?

This page shows 21 voicings of G7, filed under the five CAGED shapes and named by inversion, from the open position up to the 16th fret.