G7♭5

Character: edgy

  1. GRtriad
  2. B3triad
  3. D♭♭5triad
  4. F♭7add
Voicings

8 ways to play G7♭5

Every voicing sits inside one of the five CAGED shapes, low to high on the neck, with its octave doublings in grey.

  • Triad note
  • Substitute
  • Added
  • Anchored root
  • Bass
  • Doubling
CC shape 3rd inversion G7♭5/F
6 7 8 9 10 R ♭5 3 ♭7

Frets x 8 9 6 8 xNotes F B D♭ GIntervals ♭7 3 ♭5 1

The ♭7th gets a string of its own.

CC shape 2nd inversion G7♭5/D♭
7 8 9 10 ♭7 3 R ♭5 ♭5 3

Frets 9 10 9 10 0 9Notes D♭ G B FIntervals ♭5 1 3 ♭7

The ♭7th gets a string of its own.

AA shape 2nd inversion G7♭5/D♭
10 11 12 13 ♭7 3 R ♭5

Frets x x 11 12 12 13Notes D♭ G B FIntervals ♭5 1 3 ♭7

The ♭7th gets a string of its own.

AA shape 2nd inversion AnchoredG7♭5
10 11 12 13 R 3 ♭7 ♭5 R

Frets x 10 11 10 12 xNotes G D♭ F BIntervals 1 ♭5 ♭7 3

The root drops to the string below the triad. The ♭7th takes the root’s string.

EE shape 3rd inversion G7♭5/F
1 2 3 4 5 R ♭5 3 ♭7

Frets x x 3 4 2 3Notes F B D♭ GIntervals ♭7 3 ♭5 1

The ♭7th gets a string of its own.

EE shape 2nd inversion G7♭5/D♭
3 4 5 6 ♭7 3 R ♭5 R

Frets 3 4 5 4 6 xNotes D♭ G B FIntervals ♭5 1 3 ♭7

The ♭7th gets a string of its own.

EE shape 2nd inversion AnchoredG7♭5
1 2 3 4 5 R 3 ♭7 ♭5 R 3

Frets 3 4 3 4 0 xNotes G D♭ F BIntervals 1 ♭5 ♭7 3

The root drops to the string below the triad. The ♭7th takes the root’s string.

DD shape 2nd inversion AnchoredG7♭5
5 6 7 8 R 3 ♭7 ♭5 R

Frets x x 5 6 6 7Notes G D♭ F BIntervals 1 ♭5 ♭7 3

The root drops to the string below the triad. The ♭7th takes the root’s string.

The rules

The construction rules G7♭5 follows

  1. Start from a triad

    Root, 3rd and 5th, stacked in thirds. The 3rd makes it major or minor; the 5th makes it diminished or augmented when it moves.

  2. A third on top makes a 7th chord

    A major 7th over a major triad is maj7, a ♭7 is a dominant 7. Over minor you get m7 or m(maj7); over diminished, m7♭5 or the °7, whose 7th is lowered twice.

  3. On guitar, something has to give

    Each extension takes the string of a triad note that matters less, usually the 5th, or gets a string of its own. The root and 3rd stay: they say what the chord is.

  4. The root can move down

    When an extension needs the root’s string, the root can drop to the string below the triad: an anchored voicing keeps the bass and frees a string on top.

  5. Alter a dominant for tension

    Raise or lower the 5th or the 9th, or add a ♯11 or ♭13, and a dominant 7th pulls harder towards the next chord: G7♯9, G7♭9, G7♭13.

All the rules, with examples, in the guide to the chord library.

Dominant 7th ♭5 in every key

G7♭5 chord questions

What notes are in G7♭5?

G7♭5 is spelled G B D♭ F: G is the root, B is the 3rd, D♭ is the ♭5th, F is the ♭7th.

What is the formula of G7♭5?

1 3 ♭5 ♭7. It is a G triad triad with the ♭7th stacked on top.

How many ways can you play G7♭5 on guitar?

This page shows 8 voicings of G7♭5, filed under the five CAGED shapes and named by inversion, from the open position up to the 16th fret.