B♭7♭5

Character: edgy

  1. B♭Rtriad
  2. D3triad
  3. F♭♭5triad
  4. A♭♭7add
Voicings

9 ways to play B♭7♭5

Every voicing sits inside one of the five CAGED shapes, low to high on the neck, with its octave doublings in grey.

  • Triad note
  • Substitute
  • Added
  • Anchored root
  • Bass
  • Doubling
CC shape 2nd inversion B♭7♭5/F♭
1 2 3 4 ♭7 3 R ♭5

Frets 0 1 0 1 x xNotes F♭ B♭ D A♭Intervals ♭5 1 3 ♭7

The ♭7th gets a string of its own.

CC shape 3rd inversion B♭7♭5/A♭
9 10 11 12 13 R ♭5 3 ♭7

Frets x 11 12 9 11 xNotes A♭ D F♭ B♭Intervals ♭7 3 ♭5 1

The ♭7th gets a string of its own.

AA shape 2nd inversion B♭7♭5/F♭
1 2 3 4 ♭7 3 R ♭5

Frets x x 2 3 3 4Notes F♭ B♭ D A♭Intervals ♭5 1 3 ♭7

The ♭7th gets a string of its own.

AA shape 2nd inversion AnchoredB♭7♭5
1 2 3 4 R 3 ♭7 ♭5 R ♭5

Frets x 1 2 1 3 0Notes B♭ F♭ A♭ DIntervals 1 ♭5 ♭7 3

The root drops to the string below the triad. The ♭7th takes the root’s string.

GG shape 3rd inversion B♭7♭5/A♭
2 3 4 5 6 R ♭5 3 ♭7

Frets 4 5 2 3 x xNotes A♭ D F♭ B♭Intervals ♭7 3 ♭5 1

The ♭7th gets a string of its own.

EE shape 3rd inversion B♭7♭5/A♭
5 6 7 8 R ♭5 3 ♭7

Frets x x 6 7 5 6Notes A♭ D F♭ B♭Intervals ♭7 3 ♭5 1

The ♭7th gets a string of its own.

EE shape 2nd inversion B♭7♭5/F♭
6 7 8 9 ♭7 3 R ♭5 ♭5 R

Frets 6 7 8 7 9 0Notes F♭ B♭ D A♭Intervals ♭5 1 3 ♭7

The ♭7th gets a string of its own.

EE shape 2nd inversion AnchoredB♭7♭5
6 7 8 9 R 3 ♭7 ♭5 R

Frets 6 7 6 7 x xNotes B♭ F♭ A♭ DIntervals 1 ♭5 ♭7 3

The root drops to the string below the triad. The ♭7th takes the root’s string.

DD shape 2nd inversion AnchoredB♭7♭5
8 9 10 11 R 3 ♭7 ♭5 R

Frets x x 8 9 9 10Notes B♭ F♭ A♭ DIntervals 1 ♭5 ♭7 3

The root drops to the string below the triad. The ♭7th takes the root’s string.

The rules

The construction rules B♭7♭5 follows

  1. Start from a triad

    Root, 3rd and 5th, stacked in thirds. The 3rd makes it major or minor; the 5th makes it diminished or augmented when it moves.

  2. A third on top makes a 7th chord

    A major 7th over a major triad is maj7, a ♭7 is a dominant 7. Over minor you get m7 or m(maj7); over diminished, m7♭5 or the °7, whose 7th is lowered twice.

  3. On guitar, something has to give

    Each extension takes the string of a triad note that matters less, usually the 5th, or gets a string of its own. The root and 3rd stay: they say what the chord is.

  4. The root can move down

    When an extension needs the root’s string, the root can drop to the string below the triad: an anchored voicing keeps the bass and frees a string on top.

  5. Alter a dominant for tension

    Raise or lower the 5th or the 9th, or add a ♯11 or ♭13, and a dominant 7th pulls harder towards the next chord: G7♯9, G7♭9, G7♭13.

All the rules, with examples, in the guide to the chord library.

Dominant 7th ♭5 in every key

B♭7♭5 chord questions

What notes are in B♭7♭5?

B♭7♭5 is spelled B♭ D F♭ A♭: B♭ is the root, D is the 3rd, F♭ is the ♭5th, A♭ is the ♭7th.

What is the formula of B♭7♭5?

1 3 ♭5 ♭7. It is a B♭ triad triad with the ♭7th stacked on top.

How many ways can you play B♭7♭5 on guitar?

This page shows 9 voicings of B♭7♭5, filed under the five CAGED shapes and named by inversion, from the open position up to the 16th fret.