B♭madd9
Character: tender
- B♭Rtriad
- D♭♭3triad
- F5triad
- C9add
5 ways to play B♭madd9
Every voicing sits inside one of the five CAGED shapes, low to high on the neck, with its octave doublings in grey.
- Triad note
- Substitute
- Added
- Anchored root
- Bass
- Doubling
Frets x x 11 10 11 8Notes D♭ F B♭ CIntervals ♭3 5 1 9Base triadB♭ minor, 1st inversion
The 9th gets a string of its own.
Frets x 4 3 3 1 xNotes D♭ F B♭ CIntervals ♭3 5 1 9Base triadB♭ minor, 1st inversion
The 9th gets a string of its own.
Frets 6 4 3 5 6 6Notes B♭ D♭ F CIntervals 1 ♭3 5 9Base triadB♭ minor, root position
The 9th gets a string of its own.
Frets 6 8 8 6 6 8Notes B♭ D♭ F CIntervals 1 ♭3 5 9Base triadB♭ minor, root position
The 9th gets a string of its own.
Frets 6 8 10 6 6 6Notes B♭ F C D♭Intervals 1 5 9 ♭3Base triadB♭ minor, 2nd inversion
The root drops to the string below the triad. The 9th takes the root’s string.
The construction rules B♭madd9 follows
Start from a triad
Root, 3rd and 5th, stacked in thirds. The 3rd makes it major or minor; the 5th makes it diminished or augmented when it moves.
No 7th, no stack
6, add9, add11 and 6/9 are a triad with a colour note, not a stack. Without a 7th the chord sounds open rather than jazzy.
On guitar, something has to give
Each extension takes the string of a triad note that matters less, usually the 5th, or gets a string of its own. The root and 3rd stay: they say what the chord is.
The root can move down
When an extension needs the root’s string, the root can drop to the string below the triad: an anchored voicing keeps the bass and frees a string on top.
All the rules, with examples, in the guide to the chord library.
Minor add 9 in every key
More chords on B♭
B♭madd9 chord questions
What notes are in B♭madd9?
B♭madd9 is spelled B♭ D♭ F C: B♭ is the root, D♭ is the ♭3rd, F is the 5th, C is the 9th.
What is the formula of B♭madd9?
1 ♭3 5 9. It is a B♭ minor triad with the 9th stacked on top.
How many ways can you play B♭madd9 on guitar?
This page shows 5 voicings of B♭madd9, filed under the five CAGED shapes and named by inversion, from the open position up to the 16th fret.