B♭m7
Character: mellow
- B♭Rtriad
- D♭♭3triad
- F5triad
- A♭♭7add
15 ways to play B♭m7
Every voicing sits inside one of the five CAGED shapes, low to high on the neck, with its octave doublings in grey.
- Triad note
- Substitute
- Added
- Anchored root
- Bass
- Doubling
Frets x 11 11 10 11 xNotes A♭ D♭ F B♭Intervals ♭7 ♭3 5 1Base triadB♭ minor, 1st inversion
The ♭7th gets a string of its own.
Frets x x 11 13 11 xNotes D♭ A♭ B♭Intervals ♭3 ♭7 1Base triadB♭ minor, 1st inversion
The ♭7th takes the 5th’s string.
Frets x 1 3 3 2 4Notes F B♭ D♭ A♭Intervals 5 1 ♭3 ♭7Base triadB♭ minor, 2nd inversion
The ♭7th gets a string of its own.
Frets x x x 3 2 4Notes B♭ D♭ A♭Intervals 1 ♭3 ♭7Base triadB♭ minor, root position
The ♭7th takes the 5th’s string.
Frets x 1 3 1 2 1Notes B♭ F A♭ D♭Intervals 1 5 ♭7 ♭3Base triadB♭ minor, 2nd inversion
The root drops to the string below the triad. The ♭7th takes the root’s string.
Frets x 4 6 3 x xNotes D♭ A♭ B♭Intervals ♭3 ♭7 1Base triadB♭ minor, 1st inversion
The ♭7th takes the 5th’s string.
Frets 4 4 3 3 x xNotes A♭ D♭ F B♭Intervals ♭7 ♭3 5 1Base triadB♭ minor, 1st inversion
The ♭7th gets a string of its own.
Frets 6 4 6 6 6 6Notes B♭ D♭ A♭Intervals 1 ♭3 ♭7Base triadB♭ minor, root position
The ♭7th takes the 5th’s string.
Frets 6 x x 6 9 6Notes D♭ A♭ B♭Intervals ♭3 ♭7 1Base triadB♭ minor, 1st inversion
The ♭7th takes the 5th’s string.
Frets x x 6 6 6 6Notes A♭ D♭ F B♭Intervals ♭7 ♭3 5 1Base triadB♭ minor, 1st inversion
The ♭7th gets a string of its own.
Frets 6 8 8 6 9 6Notes B♭ D♭ A♭Intervals 1 ♭3 ♭7Base triadB♭ minor, root position
The ♭7th takes the 5th’s string.
Frets 6 8 8 6 9 6Notes F B♭ D♭ A♭Intervals 5 1 ♭3 ♭7Base triadB♭ minor, 2nd inversion
The ♭7th gets a string of its own.
Frets 6 8 6 6 6 6Notes B♭ F A♭ D♭Intervals 1 5 ♭7 ♭3Base triadB♭ minor, 2nd inversion
The root drops to the string below the triad. The ♭7th takes the root’s string.
Frets x x x 13 11 9Notes A♭ B♭ D♭Intervals ♭7 1 ♭3Base triadB♭ minor, 2nd inversion
The ♭7th takes the 5th’s string.
Frets x x 8 10 9 9Notes B♭ F A♭ D♭Intervals 1 5 ♭7 ♭3Base triadB♭ minor, 2nd inversion
The root drops to the string below the triad. The ♭7th takes the root’s string.
The construction rules B♭m7 follows
Start from a triad
Root, 3rd and 5th, stacked in thirds. The 3rd makes it major or minor; the 5th makes it diminished or augmented when it moves.
A third on top makes a 7th chord
A major 7th over a major triad is maj7, a ♭7 is a dominant 7. Over minor you get m7 or m(maj7); over diminished, m7♭5 or the °7, whose 7th is lowered twice.
On guitar, something has to give
Each extension takes the string of a triad note that matters less, usually the 5th, or gets a string of its own. The root and 3rd stay: they say what the chord is.
The root can move down
When an extension needs the root’s string, the root can drop to the string below the triad: an anchored voicing keeps the bass and frees a string on top.
All the rules, with examples, in the guide to the chord library.
Minor 7th in every key
More chords on B♭
B♭m7 chord questions
What notes are in B♭m7?
B♭m7 is spelled B♭ D♭ F A♭: B♭ is the root, D♭ is the ♭3rd, F is the 5th, A♭ is the ♭7th.
What is the formula of B♭m7?
1 ♭3 5 ♭7. It is a B♭ minor triad with the ♭7th stacked on top.
How many ways can you play B♭m7 on guitar?
This page shows 15 voicings of B♭m7, filed under the five CAGED shapes and named by inversion, from the open position up to the 16th fret.