E♭m7

Character: mellow

  1. E♭Rtriad
  2. G♭♭3triad
  3. B♭5triad
  4. D♭♭7add
Voicings

14 ways to play E♭m7

Every voicing sits inside one of the five CAGED shapes, low to high on the neck, with its octave doublings in grey.

  • Triad note
  • Substitute
  • Added
  • Anchored root
  • Bass
  • Doubling
CC shape 3rd inversion E♭m7/D♭
3 4 5 6 R 5 ♭3 ♭7

Frets x 4 4 3 4 xNotes D♭ G♭ B♭ E♭Intervals ♭7 ♭3 5 1Base triadE♭ minor, 1st inversion

The ♭7th gets a string of its own.

CC shape 1st inversion E♭m7/G♭
3 4 5 6 5 R ♭7 ♭3

Frets x x 4 6 4 xNotes G♭ D♭ E♭Intervals ♭3 ♭7 1Base triadE♭ minor, 1st inversion

The ♭7th takes the 5th’s string.

CC shape Root position E♭m7
3 4 5 6 5 ♭7 ♭3 R 5 R

Frets x 6 4 6 4 6Notes E♭ G♭ D♭Intervals 1 ♭3 ♭7Base triadE♭ minor, root position

The ♭7th takes the 5th’s string.

CC shape 2nd inversion E♭m7/B♭
3 4 5 6 ♭7 ♭3 R 5 5 R

Frets 6 6 4 6 4 6Notes B♭ E♭ G♭ D♭Intervals 5 1 ♭3 ♭7Base triadE♭ minor, 2nd inversion

The ♭7th gets a string of its own.

AA shape 2nd inversion E♭m7/B♭
6 7 8 9 ♭7 ♭3 R 5 R

Frets x 6 8 8 7 9Notes B♭ E♭ G♭ D♭Intervals 5 1 ♭3 ♭7Base triadE♭ minor, 2nd inversion

The ♭7th gets a string of its own.

AA shape Root position E♭m7
6 7 8 9 5 ♭7 ♭3 R

Frets x x x 8 7 9Notes E♭ G♭ D♭Intervals 1 ♭3 ♭7Base triadE♭ minor, root position

The ♭7th takes the 5th’s string.

AA shape 2nd inversion AnchoredE♭m7
6 7 8 9 R ♭3 ♭7 5 R 5

Frets x 6 8 6 7 6Notes E♭ B♭ D♭ G♭Intervals 1 5 ♭7 ♭3Base triadE♭ minor, 2nd inversion

The root drops to the string below the triad. The ♭7th takes the root’s string.

GG shape 1st inversion E♭m7/G♭
8 9 10 11 5 R ♭7 ♭3

Frets x 9 11 8 x xNotes G♭ D♭ E♭Intervals ♭3 ♭7 1Base triadE♭ minor, 1st inversion

The ♭7th takes the 5th’s string.

GG shape 3rd inversion E♭m7/D♭
8 9 10 11 R 5 ♭3 ♭7

Frets 9 9 8 8 x xNotes D♭ G♭ B♭ E♭Intervals ♭7 ♭3 5 1Base triadE♭ minor, 1st inversion

The ♭7th gets a string of its own.

GG shape Root position E♭m7
8 9 10 11 5 ♭7 ♭3 R R 5 ♭3

Frets 11 9 11 11 11 11Notes E♭ G♭ D♭Intervals 1 ♭3 ♭7Base triadE♭ minor, root position

The ♭7th takes the 5th’s string.

EE shape 1st inversion E♭m7/G♭
11 12 13 14 5 R ♭7 ♭3 R

Frets 11 x x 11 14 11Notes G♭ D♭ E♭Intervals ♭3 ♭7 1Base triadE♭ minor, 1st inversion

The ♭7th takes the 5th’s string.

EE shape 3rd inversion E♭m7/D♭
11 12 13 14 R 5 ♭3 ♭7

Frets x x 11 11 11 11Notes D♭ G♭ B♭ E♭Intervals ♭7 ♭3 5 1Base triadE♭ minor, 1st inversion

The ♭7th gets a string of its own.

DD shape 3rd inversion E♭m7/D♭
1 2 3 4 5 6 5 ♭3 R ♭7

Frets x x x 6 4 2Notes D♭ E♭ G♭Intervals ♭7 1 ♭3Base triadE♭ minor, 2nd inversion

The ♭7th takes the 5th’s string.

DD shape 2nd inversion AnchoredE♭m7
1 2 3 4 R ♭3 ♭7 5 R

Frets x x 1 3 2 2Notes E♭ B♭ D♭ G♭Intervals 1 5 ♭7 ♭3Base triadE♭ minor, 2nd inversion

The root drops to the string below the triad. The ♭7th takes the root’s string.

The rules

The construction rules E♭m7 follows

  1. Start from a triad

    Root, 3rd and 5th, stacked in thirds. The 3rd makes it major or minor; the 5th makes it diminished or augmented when it moves.

  2. A third on top makes a 7th chord

    A major 7th over a major triad is maj7, a ♭7 is a dominant 7. Over minor you get m7 or m(maj7); over diminished, m7♭5 or the °7, whose 7th is lowered twice.

  3. On guitar, something has to give

    Each extension takes the string of a triad note that matters less, usually the 5th, or gets a string of its own. The root and 3rd stay: they say what the chord is.

  4. The root can move down

    When an extension needs the root’s string, the root can drop to the string below the triad: an anchored voicing keeps the bass and frees a string on top.

All the rules, with examples, in the guide to the chord library.

Minor 7th in every key

E♭m7 chord questions

What notes are in E♭m7?

E♭m7 is spelled E♭ G♭ B♭ D♭: E♭ is the root, G♭ is the ♭3rd, B♭ is the 5th, D♭ is the ♭7th.

What is the formula of E♭m7?

1 ♭3 5 ♭7. It is a E♭ minor triad with the ♭7th stacked on top.

How many ways can you play E♭m7 on guitar?

This page shows 14 voicings of E♭m7, filed under the five CAGED shapes and named by inversion, from the open position up to the 16th fret.