E♭m6

Character: dark, cool

  1. E♭Rtriad
  2. G♭♭3triad
  3. B♭5triad
  4. C6add
Voicings

11 ways to play E♭m6

Every voicing sits inside one of the five CAGED shapes, low to high on the neck, with its octave doublings in grey.

  • Triad note
  • Substitute
  • Added
  • Anchored root
  • Bass
  • Doubling
CC shape 1st inversion E♭m6/G♭
3 4 5 6 5 R 6 ♭3

Frets x x 4 5 4 xNotes G♭ C E♭Intervals ♭3 6 1Base triadE♭ minor, 1st inversion

The 6th takes the 5th’s string.

CC shape Root position E♭m6
3 4 5 6 5 6 ♭3 R 5 R

Frets x 6 4 5 4 6Notes E♭ G♭ CIntervals 1 ♭3 6Base triadE♭ minor, root position

The 6th takes the 5th’s string.

CC shape 2nd inversion E♭m6/B♭
3 4 5 6 6 ♭3 R 5 5 R

Frets 6 6 4 5 4 6Notes B♭ E♭ G♭ CIntervals 5 1 ♭3 6Base triadE♭ minor, 2nd inversion

The 6th gets a string of its own.

AA shape 2nd inversion E♭m6/B♭
6 7 8 9 6 ♭3 R 5 R

Frets x 6 8 8 7 8Notes B♭ E♭ G♭ CIntervals 5 1 ♭3 6Base triadE♭ minor, 2nd inversion

The 6th gets a string of its own.

AA shape Root position E♭m6
6 7 8 9 5 6 ♭3 R

Frets x x x 8 7 8Notes E♭ G♭ CIntervals 1 ♭3 6Base triadE♭ minor, root position

The 6th takes the 5th’s string.

AA shape 2nd inversion AnchoredE♭m6
5 6 7 8 R ♭3 6 5 R 5

Frets x 6 8 5 7 6Notes E♭ B♭ C G♭Intervals 1 5 6 ♭3Base triadE♭ minor, 2nd inversion

The root drops to the string below the triad. The 6th takes the root’s string.

GG shape 1st inversion E♭m6/G♭
8 9 10 11 5 R 6 ♭3

Frets x 9 10 8 x xNotes G♭ C E♭Intervals ♭3 6 1Base triadE♭ minor, 1st inversion

The 6th takes the 5th’s string.

GG shape Root position E♭m6
8 9 10 11 5 6 ♭3 R R 5 ♭3

Frets 11 9 10 11 11 11Notes E♭ G♭ CIntervals 1 ♭3 6Base triadE♭ minor, root position

The 6th takes the 5th’s string.

EE shape 1st inversion E♭m6/G♭
11 12 13 14 5 R 6 ♭3 R

Frets 11 x x 11 13 11Notes G♭ C E♭Intervals ♭3 6 1Base triadE♭ minor, 1st inversion

The 6th takes the 5th’s string.

DD shape 2nd inversion E♭m6/C
1 2 3 4 5 5 ♭3 R 6

Frets x x x 5 4 2Notes C E♭ G♭Intervals 6 1 ♭3Base triadE♭ minor, 2nd inversion

The 6th takes the 5th’s string.

DD shape 2nd inversion AnchoredE♭m6
1 2 3 4 R ♭3 6 5 R

Frets x x 1 3 1 2Notes E♭ B♭ C G♭Intervals 1 5 6 ♭3Base triadE♭ minor, 2nd inversion

The root drops to the string below the triad. The 6th takes the root’s string.

The rules

The construction rules E♭m6 follows

  1. Start from a triad

    Root, 3rd and 5th, stacked in thirds. The 3rd makes it major or minor; the 5th makes it diminished or augmented when it moves.

  2. No 7th, no stack

    6, add9, add11 and 6/9 are a triad with a colour note, not a stack. Without a 7th the chord sounds open rather than jazzy.

  3. On guitar, something has to give

    Each extension takes the string of a triad note that matters less, usually the 5th, or gets a string of its own. The root and 3rd stay: they say what the chord is.

  4. The root can move down

    When an extension needs the root’s string, the root can drop to the string below the triad: an anchored voicing keeps the bass and frees a string on top.

All the rules, with examples, in the guide to the chord library.

Minor 6th in every key

E♭m6 chord questions

What notes are in E♭m6?

E♭m6 is spelled E♭ G♭ B♭ C: E♭ is the root, G♭ is the ♭3rd, B♭ is the 5th, C is the 6th.

What is the formula of E♭m6?

1 ♭3 5 6. It is a E♭ minor triad with the 6th stacked on top.

How many ways can you play E♭m6 on guitar?

This page shows 11 voicings of E♭m6, filed under the five CAGED shapes and named by inversion, from the open position up to the 16th fret.