B♭°7

Character: suspense

  1. B♭Rtriad
  2. D♭♭3triad
  3. F♭♭5triad
  4. A𝄫𝄫7add
Voicings

8 ways to play B♭°7

Every voicing sits inside one of the five CAGED shapes, low to high on the neck, with its octave doublings in grey.

  • Triad note
  • Substitute
  • Added
  • Anchored root
  • Bass
  • Doubling
CC shape 3rd inversion B♭°7/A𝄫
9 10 11 12 13 R ♭5 ♭3 𝄫7

Frets x 10 11 9 11 xNotes A𝄫 D♭ F♭ B♭Intervals 𝄫7 ♭3 ♭5 1Base triadB♭ diminished, 1st inversion

The 𝄫7th gets a string of its own.

AA shape 2nd inversion B♭°7/F♭
1 2 3 4 𝄫7 ♭3 R ♭5

Frets x x 2 3 2 3Notes F♭ B♭ D♭ A𝄫Intervals ♭5 1 ♭3 𝄫7Base triadB♭ diminished, 2nd inversion

The 𝄫7th gets a string of its own.

AA shape 2nd inversion AnchoredB♭°7
1 2 3 4 R ♭3 𝄫7 ♭5 R ♭5

Frets x 1 2 0 2 0Notes B♭ F♭ A𝄫 D♭Intervals 1 ♭5 𝄫7 ♭3Base triadB♭ diminished, 2nd inversion

The root drops to the string below the triad. The 𝄫7th takes the root’s string.

GG shape 3rd inversion B♭°7/A𝄫
2 3 4 5 6 R ♭5 ♭3 𝄫7

Frets 3 4 2 3 x xNotes A𝄫 D♭ F♭ B♭Intervals 𝄫7 ♭3 ♭5 1Base triadB♭ diminished, 1st inversion

The 𝄫7th gets a string of its own.

EE shape 3rd inversion B♭°7/A𝄫
5 6 7 8 R ♭5 ♭3 𝄫7

Frets x x 5 6 5 6Notes A𝄫 D♭ F♭ B♭Intervals 𝄫7 ♭3 ♭5 1Base triadB♭ diminished, 1st inversion

The 𝄫7th gets a string of its own.

EE shape 2nd inversion B♭°7/F♭
6 7 8 9 𝄫7 ♭3 R ♭5 ♭5 R

Frets 6 7 8 6 8 0Notes F♭ B♭ D♭ A𝄫Intervals ♭5 1 ♭3 𝄫7Base triadB♭ diminished, 2nd inversion

The 𝄫7th gets a string of its own.

EE shape 2nd inversion AnchoredB♭°7
5 6 7 8 R ♭3 𝄫7 ♭5 R

Frets 6 7 5 6 x xNotes B♭ F♭ A𝄫 D♭Intervals 1 ♭5 𝄫7 ♭3Base triadB♭ diminished, 2nd inversion

The root drops to the string below the triad. The 𝄫7th takes the root’s string.

DD shape 2nd inversion AnchoredB♭°7
8 9 10 11 R ♭3 𝄫7 ♭5 R

Frets x x 8 9 8 9Notes B♭ F♭ A𝄫 D♭Intervals 1 ♭5 𝄫7 ♭3Base triadB♭ diminished, 2nd inversion

The root drops to the string below the triad. The 𝄫7th takes the root’s string.

The rules

The construction rules B♭°7 follows

  1. Start from a triad

    Root, 3rd and 5th, stacked in thirds. The 3rd makes it major or minor; the 5th makes it diminished or augmented when it moves.

  2. A third on top makes a 7th chord

    A major 7th over a major triad is maj7, a ♭7 is a dominant 7. Over minor you get m7 or m(maj7); over diminished, m7♭5 or the °7, whose 7th is lowered twice.

  3. On guitar, something has to give

    Each extension takes the string of a triad note that matters less, usually the 5th, or gets a string of its own. The root and 3rd stay: they say what the chord is.

  4. The root can move down

    When an extension needs the root’s string, the root can drop to the string below the triad: an anchored voicing keeps the bass and frees a string on top.

All the rules, with examples, in the guide to the chord library.

Diminished 7th in every key

B♭°7 chord questions

What notes are in B♭°7?

B♭°7 is spelled B♭ D♭ F♭ A𝄫: B♭ is the root, D♭ is the ♭3rd, F♭ is the ♭5th, A𝄫 is the 𝄫7th.

What is the formula of B♭°7?

1 ♭3 ♭5 𝄫7. It is a B♭ diminished triad with the 𝄫7th stacked on top.

How many ways can you play B♭°7 on guitar?

This page shows 8 voicings of B♭°7, filed under the five CAGED shapes and named by inversion, from the open position up to the 16th fret.