B°7

Character: suspense

  1. BRtriad
  2. D♭3triad
  3. F♭5triad
  4. A♭𝄫7add
Voicings

9 ways to play B°7

Every voicing sits inside one of the five CAGED shapes, low to high on the neck, with its octave doublings in grey.

  • Triad note
  • Substitute
  • Added
  • Anchored root
  • Bass
  • Doubling
CC shape 2nd inversion B°7/F
1 2 3 4 𝄫7 ♭3 R ♭5 ♭5 R

Frets 1 2 0 1 0 1Notes F B D A♭Intervals ♭5 1 ♭3 𝄫7Base triadB diminished, 2nd inversion

The 𝄫7th gets a string of its own.

CC shape 3rd inversion B°7/A♭
10 11 12 13 14 R ♭5 ♭3 𝄫7

Frets x 11 12 10 12 xNotes A♭ D F BIntervals 𝄫7 ♭3 ♭5 1Base triadB diminished, 1st inversion

The 𝄫7th gets a string of its own.

AA shape 2nd inversion B°7/F
1 2 3 4 𝄫7 ♭3 R ♭5

Frets x x 3 4 3 4Notes F B D A♭Intervals ♭5 1 ♭3 𝄫7Base triadB diminished, 2nd inversion

The 𝄫7th gets a string of its own.

AA shape 2nd inversion AnchoredB°7
1 2 3 4 R ♭3 𝄫7 ♭5 R

Frets x 2 3 1 3 xNotes B F A♭ DIntervals 1 ♭5 𝄫7 ♭3Base triadB diminished, 2nd inversion

The root drops to the string below the triad. The 𝄫7th takes the root’s string.

GG shape 3rd inversion B°7/A♭
3 4 5 6 7 R ♭5 ♭3 𝄫7

Frets 4 5 3 4 x xNotes A♭ D F BIntervals 𝄫7 ♭3 ♭5 1Base triadB diminished, 1st inversion

The 𝄫7th gets a string of its own.

EE shape 3rd inversion B°7/A♭
6 7 8 9 R ♭5 ♭3 𝄫7

Frets x x 6 7 6 7Notes A♭ D F BIntervals 𝄫7 ♭3 ♭5 1Base triadB diminished, 1st inversion

The 𝄫7th gets a string of its own.

EE shape 2nd inversion B°7/F
7 8 9 10 𝄫7 ♭3 R ♭5 R R

Frets 7 8 9 7 9 7Notes F B D A♭Intervals ♭5 1 ♭3 𝄫7Base triadB diminished, 2nd inversion

The 𝄫7th gets a string of its own.

EE shape 2nd inversion AnchoredB°7
6 7 8 9 R ♭3 𝄫7 ♭5 R R R

Frets 7 8 6 7 0 7Notes B F A♭ DIntervals 1 ♭5 𝄫7 ♭3Base triadB diminished, 2nd inversion

The root drops to the string below the triad. The 𝄫7th takes the root’s string.

DD shape 2nd inversion AnchoredB°7
9 10 11 12 R ♭3 𝄫7 ♭5 R

Frets x x 9 10 9 10Notes B F A♭ DIntervals 1 ♭5 𝄫7 ♭3Base triadB diminished, 2nd inversion

The root drops to the string below the triad. The 𝄫7th takes the root’s string.

The rules

The construction rules B°7 follows

  1. Start from a triad

    Root, 3rd and 5th, stacked in thirds. The 3rd makes it major or minor; the 5th makes it diminished or augmented when it moves.

  2. A third on top makes a 7th chord

    A major 7th over a major triad is maj7, a ♭7 is a dominant 7. Over minor you get m7 or m(maj7); over diminished, m7♭5 or the °7, whose 7th is lowered twice.

  3. On guitar, something has to give

    Each extension takes the string of a triad note that matters less, usually the 5th, or gets a string of its own. The root and 3rd stay: they say what the chord is.

  4. The root can move down

    When an extension needs the root’s string, the root can drop to the string below the triad: an anchored voicing keeps the bass and frees a string on top.

All the rules, with examples, in the guide to the chord library.

Diminished 7th in every key

B°7 chord questions

What notes are in B°7?

B°7 is spelled B D F A♭: B is the root, D is the ♭3rd, F is the ♭5th, A♭ is the 𝄫7th.

What is the formula of B°7?

1 ♭3 ♭5 𝄫7. It is a B diminished triad with the 𝄫7th stacked on top.

How many ways can you play B°7 on guitar?

This page shows 9 voicings of B°7, filed under the five CAGED shapes and named by inversion, from the open position up to the 16th fret.