D♭7

Character: bluesy

  1. D♭Rtriad
  2. F3triad
  3. A♭5triad
  4. C♭♭7add
Voicings

19 ways to play D♭7

Every voicing sits inside one of the five CAGED shapes, low to high on the neck, with its octave doublings in grey.

  • Triad note
  • Substitute
  • Added
  • Anchored root
  • Bass
  • Doubling
CC shape 3rd inversion D♭7/C♭
1 2 3 4 R 5 3 ♭7

Frets x 2 3 1 2 xNotes C♭ F A♭ D♭Intervals ♭7 3 5 1Base triadD♭ major, 1st inversion

The ♭7th gets a string of its own.

CC shape Root position D♭7
1 2 3 4 ♭7 5 3 R 3

Frets x 4 3 1 0 1Notes D♭ F A♭ C♭Intervals 1 3 5 ♭7Base triadD♭ major, root position

The ♭7th gets a string of its own.

CC shape 1st inversion D♭7/F
1 2 3 4 5 R ♭7 3 5 R

Frets x 4 3 4 2 4Notes F C♭ D♭Intervals 3 ♭7 1Base triadD♭ major, 1st inversion

The ♭7th takes the 5th’s string.

CC shape Root position D♭7
1 2 3 4 5 ♭7 3 R

Frets x 4 3 4 x xNotes D♭ F C♭Intervals 1 3 ♭7Base triadD♭ major, root position

The ♭7th takes the 5th’s string.

CC shape 2nd inversion D♭7/A♭
1 2 3 4 ♭7 3 R 5

Frets 4 4 3 4 x xNotes A♭ D♭ F C♭Intervals 5 1 3 ♭7Base triadD♭ major, 2nd inversion

The ♭7th gets a string of its own.

AA shape 2nd inversion D♭7/A♭
4 5 6 7 ♭7 3 R 5 R

Frets x 4 6 6 6 7Notes A♭ D♭ F C♭Intervals 5 1 3 ♭7Base triadD♭ major, 2nd inversion

The ♭7th gets a string of its own.

AA shape Root position D♭7
4 5 6 7 5 ♭7 3 R

Frets x x x 6 6 7Notes D♭ F C♭Intervals 1 3 ♭7Base triadD♭ major, root position

The ♭7th takes the 5th’s string.

AA shape 3rd inversion D♭7/C♭
4 5 6 7 8 9 5 3 R ♭7

Frets x x 9 6 6 xNotes C♭ D♭ FIntervals ♭7 1 3Base triadD♭ major, 2nd inversion

The ♭7th takes the 5th’s string.

AA shape 2nd inversion AnchoredD♭7
4 5 6 7 R 3 ♭7 5 R 5

Frets x 4 6 4 6 4Notes D♭ A♭ C♭ FIntervals 1 5 ♭7 3Base triadD♭ major, 2nd inversion

The root drops to the string below the triad. The ♭7th takes the root’s string.

GG shape 1st inversion D♭7/F
6 7 8 9 5 R ♭7 3 R 3 R

Frets 9 8 9 6 6 9Notes F C♭ D♭Intervals 3 ♭7 1Base triadD♭ major, 1st inversion

The ♭7th takes the 5th’s string.

GG shape 3rd inversion D♭7/C♭
6 7 8 9 R 5 3 ♭7

Frets 7 8 6 6 x xNotes C♭ F A♭ D♭Intervals ♭7 3 5 1Base triadD♭ major, 1st inversion

The ♭7th gets a string of its own.

GG shape Root position D♭7
6 7 8 9 10 5 ♭7 3 R R 5 3

Frets 9 8 9 10 9 9Notes D♭ F C♭Intervals 1 3 ♭7Base triadD♭ major, root position

The ♭7th takes the 5th’s string.

EE shape Root position D♭7
7 8 9 10 11 ♭7 5 3 R 5 R

Frets 9 11 11 10 9 7Notes D♭ F A♭ C♭Intervals 1 3 5 ♭7Base triadD♭ major, root position

The ♭7th gets a string of its own.

EE shape 1st inversion D♭7/F
9 10 11 12 5 R ♭7 3 R 5 R

Frets 9 11 11 10 12 9Notes F C♭ D♭Intervals 3 ♭7 1Base triadD♭ major, 1st inversion

The ♭7th takes the 5th’s string.

EE shape 3rd inversion D♭7/C♭
9 10 11 12 R 5 3 ♭7

Frets x x 9 10 9 9Notes C♭ F A♭ D♭Intervals ♭7 3 5 1Base triadD♭ major, 1st inversion

The ♭7th gets a string of its own.

EE shape Root position D♭7
9 10 11 12 5 ♭7 3 R R

Frets 9 x 11 10 12 xNotes D♭ F C♭Intervals 1 3 ♭7Base triadD♭ major, root position

The ♭7th takes the 5th’s string.

EE shape 2nd inversion D♭7/A♭
9 10 11 12 ♭7 3 R 5 R

Frets 9 11 11 10 12 xNotes A♭ D♭ F C♭Intervals 5 1 3 ♭7Base triadD♭ major, 2nd inversion

The ♭7th gets a string of its own.

EE shape 2nd inversion AnchoredD♭7
9 10 11 12 R 3 ♭7 5 R

Frets 9 11 9 10 x xNotes D♭ A♭ C♭ FIntervals 1 5 ♭7 3Base triadD♭ major, 2nd inversion

The root drops to the string below the triad. The ♭7th takes the root’s string.

DD shape 3rd inversion D♭7/C♭
1 2 3 4 5 3 R ♭7

Frets x x x 4 2 1Notes C♭ D♭ FIntervals ♭7 1 3Base triadD♭ major, 2nd inversion

The ♭7th takes the 5th’s string.

The rules

The construction rules D♭7 follows

  1. Start from a triad

    Root, 3rd and 5th, stacked in thirds. The 3rd makes it major or minor; the 5th makes it diminished or augmented when it moves.

  2. A third on top makes a 7th chord

    A major 7th over a major triad is maj7, a ♭7 is a dominant 7. Over minor you get m7 or m(maj7); over diminished, m7♭5 or the °7, whose 7th is lowered twice.

  3. On guitar, something has to give

    Each extension takes the string of a triad note that matters less, usually the 5th, or gets a string of its own. The root and 3rd stay: they say what the chord is.

  4. The root can move down

    When an extension needs the root’s string, the root can drop to the string below the triad: an anchored voicing keeps the bass and frees a string on top.

All the rules, with examples, in the guide to the chord library.

Dominant 7th in every key

D♭7 chord questions

What notes are in D♭7?

D♭7 is spelled D♭ F A♭ C♭: D♭ is the root, F is the 3rd, A♭ is the 5th, C♭ is the ♭7th.

What is the formula of D♭7?

1 3 5 ♭7. It is a D♭ major triad with the ♭7th stacked on top.

How many ways can you play D♭7 on guitar?

This page shows 19 voicings of D♭7, filed under the five CAGED shapes and named by inversion, from the open position up to the 16th fret.