D♭m/C
- C7bass
- D♭Rtriad
- F♭♭3triad
- A♭5triad
3 ways to play D♭m/C
Every voicing sits inside one of the five CAGED shapes, low to high on the neck, with its octave doublings in grey.
- Triad note
- Substitute
- Added
- Anchored root
- Bass
- Doubling
Frets x 3 2 1 2 xNotes C F♭ A♭ D♭Intervals 7 ♭3 5 1Base triadC♯ minor, 1st inversion
Frets 8 7 6 6 x xNotes C F♭ A♭ D♭Intervals 7 ♭3 5 1Base triadC♯ minor, 1st inversion
Frets x x 10 9 9 9Notes C F♭ A♭ D♭Intervals 7 ♭3 5 1Base triadC♯ minor, 1st inversion
The construction rules D♭m/C follows
Start from a triad
Root, 3rd and 5th, stacked in thirds. The 3rd makes it major or minor; the 5th makes it diminished or augmented when it moves.
A slash names the bass
Chord/bass puts any note under a triad. A chord tone gives an inversion, such as C/E; another note gives a new chord: G/F is G7 with the 7th in the bass.
All the rules, with examples, in the guide to the chord library.
Minor triad over the 7th in every key
More chords on D♭
D♭m/C chord questions
What notes are in D♭m/C?
D♭m/C is spelled C D♭ F♭ A♭: C is the 7th, D♭ is the root, F♭ is the ♭3rd, A♭ is the 5th.
What is the formula of D♭m/C?
7 1 ♭3 5. It is a D♭ minor triad, over C in the bass.
How many ways can you play D♭m/C on guitar?
This page shows 3 voicings of D♭m/C, filed under the five CAGED shapes and named by inversion, from the open position up to the 16th fret.