Dm7♭5
Character: wistful
- DRtriad
- F♭3triad
- A♭♭5triad
- C♭7add
10 ways to play Dm7♭5
Every voicing sits inside one of the five CAGED shapes, low to high on the neck, with its octave doublings in grey.
- Triad note
- Substitute
- Added
- Anchored root
- Bass
- Doubling
Frets x 3 3 1 3 xNotes C F A♭ DIntervals ♭7 ♭3 ♭5 1Base triadD diminished, 1st inversion
The ♭7th gets a string of its own.
Frets x 5 3 1 1 1Notes D F A♭ CIntervals 1 ♭3 ♭5 ♭7Base triadD diminished, root position
The ♭7th gets a string of its own.
Frets 4 5 3 5 3 4Notes A♭ D F CIntervals ♭5 1 ♭3 ♭7Base triadD diminished, 2nd inversion
The ♭7th gets a string of its own.
Frets x x 6 7 6 8Notes A♭ D F CIntervals ♭5 1 ♭3 ♭7Base triadD diminished, 2nd inversion
The ♭7th gets a string of its own.
Frets x 5 6 5 6 xNotes D A♭ C FIntervals 1 ♭5 ♭7 ♭3Base triadD diminished, 2nd inversion
The root drops to the string below the triad. The ♭7th takes the root’s string.
Frets 8 8 6 7 x xNotes C F A♭ DIntervals ♭7 ♭3 ♭5 1Base triadD diminished, 1st inversion
The ♭7th gets a string of its own.
Frets x x 10 10 9 10Notes C F A♭ DIntervals ♭7 ♭3 ♭5 1Base triadD diminished, 1st inversion
The ♭7th gets a string of its own.
Frets 10 11 12 10 13 10Notes A♭ D F CIntervals ♭5 1 ♭3 ♭7Base triadD diminished, 2nd inversion
The ♭7th gets a string of its own.
Frets 10 11 10 10 x xNotes D A♭ C FIntervals 1 ♭5 ♭7 ♭3Base triadD diminished, 2nd inversion
The root drops to the string below the triad. The ♭7th takes the root’s string.
Frets x x 0 1 1 1Notes D A♭ C FIntervals 1 ♭5 ♭7 ♭3Base triadD diminished, 2nd inversion
The root drops to the string below the triad. The ♭7th takes the root’s string.
The construction rules Dm7♭5 follows
Start from a triad
Root, 3rd and 5th, stacked in thirds. The 3rd makes it major or minor; the 5th makes it diminished or augmented when it moves.
A third on top makes a 7th chord
A major 7th over a major triad is maj7, a ♭7 is a dominant 7. Over minor you get m7 or m(maj7); over diminished, m7♭5 or the °7, whose 7th is lowered twice.
On guitar, something has to give
Each extension takes the string of a triad note that matters less, usually the 5th, or gets a string of its own. The root and 3rd stay: they say what the chord is.
The root can move down
When an extension needs the root’s string, the root can drop to the string below the triad: an anchored voicing keeps the bass and frees a string on top.
All the rules, with examples, in the guide to the chord library.
Minor 7th ♭5 (half-diminished) in every key
More chords on D
Dm7♭5 chord questions
What notes are in Dm7♭5?
Dm7♭5 is spelled D F A♭ C: D is the root, F is the ♭3rd, A♭ is the ♭5th, C is the ♭7th.
What is the formula of Dm7♭5?
1 ♭3 ♭5 ♭7. It is a D diminished triad with the ♭7th stacked on top.
How many ways can you play Dm7♭5 on guitar?
This page shows 10 voicings of Dm7♭5, filed under the five CAGED shapes and named by inversion, from the open position up to the 16th fret.