E7♯5

Character: restless

  1. ERtriad
  2. G♯3triad
  3. B♯♯5triad
  4. D♭7add
Voicings

8 ways to play E7♯5

Every voicing sits inside one of the five CAGED shapes, low to high on the neck, with its octave doublings in grey.

  • Triad note
  • Substitute
  • Added
  • Anchored root
  • Bass
  • Doubling
CC shape Root position E7♯5
3 4 5 6 7 ♭7 ♯5 3 R R R

Frets 0 7 6 5 3 0Notes E G♯ B♯ DIntervals 1 3 ♯5 ♭7Base triadE augmented, root position

The ♭7th gets a string of its own.

CC shape 3rd inversion E7♯5/D
4 5 6 7 R ♯5 3 ♭7

Frets x 5 6 5 5 xNotes D G♯ B♯ EIntervals ♭7 3 ♯5 1Base triadE augmented, 1st inversion

The ♭7th gets a string of its own.

CC shape 2nd inversion E7♯5/B♯
4 5 6 7 8 9 ♭7 3 R ♯5 R 3

Frets 8 7 6 7 9 0Notes B♯ E G♯ DIntervals ♯5 1 3 ♭7Base triadE augmented, 2nd inversion

The ♭7th gets a string of its own.

AA shape 2nd inversion E7♯5/B♯
7 8 9 10 11 ♭7 3 R ♯5 3 R

Frets 0 11 10 9 9 10Notes B♯ E G♯ DIntervals ♯5 1 3 ♭7Base triadE augmented, 2nd inversion

The ♭7th gets a string of its own.

GG shape 3rd inversion E7♯5/D
9 10 11 12 R ♯5 3 ♭7

Frets 10 11 10 9 x xNotes D G♯ B♯ EIntervals ♭7 3 ♯5 1Base triadE augmented, 1st inversion

The ♭7th gets a string of its own.

EE shape 3rd inversion E7♯5/D
1 2 3 4 R ♯5 3 ♭7

Frets x x 0 1 1 0Notes D G♯ B♯ EIntervals ♭7 3 ♯5 1Base triadE augmented, 1st inversion

The ♭7th gets a string of its own.

EE shape 2nd inversion E7♯5/B♯
1 2 3 4 ♭7 3 R ♯5 R R

Frets 0 3 2 1 3 0Notes B♯ E G♯ DIntervals ♯5 1 3 ♭7Base triadE augmented, 2nd inversion

The ♭7th gets a string of its own.

EE shape 2nd inversion AnchoredE7♯5
1 2 3 4 R 3 ♭7 ♯5 R R ♯5

Frets 0 3 0 1 1 0Notes E B♯ D G♯Intervals 1 ♯5 ♭7 3Base triadE augmented, 2nd inversion

The root drops to the string below the triad. The ♭7th takes the root’s string.

The rules

The construction rules E7♯5 follows

  1. Start from a triad

    Root, 3rd and 5th, stacked in thirds. The 3rd makes it major or minor; the 5th makes it diminished or augmented when it moves.

  2. A third on top makes a 7th chord

    A major 7th over a major triad is maj7, a ♭7 is a dominant 7. Over minor you get m7 or m(maj7); over diminished, m7♭5 or the °7, whose 7th is lowered twice.

  3. On guitar, something has to give

    Each extension takes the string of a triad note that matters less, usually the 5th, or gets a string of its own. The root and 3rd stay: they say what the chord is.

  4. The root can move down

    When an extension needs the root’s string, the root can drop to the string below the triad: an anchored voicing keeps the bass and frees a string on top.

  5. Alter a dominant for tension

    Raise or lower the 5th or the 9th, or add a ♯11 or ♭13, and a dominant 7th pulls harder towards the next chord: G7♯9, G7♭9, G7♭13.

All the rules, with examples, in the guide to the chord library.

Dominant 7th ♯5 in every key

E7♯5 chord questions

What notes are in E7♯5?

E7♯5 is spelled E G♯ B♯ D: E is the root, G♯ is the 3rd, B♯ is the ♯5th, D is the ♭7th.

What is the formula of E7♯5?

1 3 ♯5 ♭7. It is a E augmented triad with the ♭7th stacked on top.

How many ways can you play E7♯5 on guitar?

This page shows 8 voicings of E7♯5, filed under the five CAGED shapes and named by inversion, from the open position up to the 16th fret.