Cm13

Character: smoky

  1. CRtriad
  2. E♭♭3triad
  3. G5triad
  4. B♭♭7add
  5. D9left out
  6. F11left out
  7. A13add
Voicings

6 ways to play Cm13

Every voicing sits inside one of the five CAGED shapes, low to high on the neck, with its octave doublings in grey.

  • Triad note
  • Substitute
  • Added
  • Anchored root
  • Bass
  • Doubling
CC shape 3rd inversion Cm13/B♭
1 2 3 4 5 R 13 ♭3 ♭7

Frets x 1 1 2 1 xNotes B♭ E♭ A CIntervals ♭7 ♭3 13 1Base triadC minor, 1st inversion

The ♭7th gets a string of its own. The 13th takes the 5th’s string.

AA shape 2nd inversion Cm13/A
3 4 5 6 7 5 ♭7 ♭3 R 13

Frets x x 7 5 4 6Notes A C E♭ B♭Intervals 13 1 ♭3 ♭7Base triadC minor, 2nd inversion

The ♭7th gets a string of its own. The 13th takes the 5th’s string.

AA shape 2nd inversion AnchoredCm13
1 2 3 4 5 R 13 ♭3 ♭7 5 R

Frets x 3 5 3 4 5Notes C G B♭ E♭ AIntervals 1 5 ♭7 ♭3 13Base triadC minor, 2nd inversion

The root drops to the string below the triad. The ♭7th takes the root’s string. The 13th gets a string of its own.

GG shape 3rd inversion Cm13/B♭
5 6 7 8 5 R 13 ♭3 ♭7

Frets 6 6 7 5 x xNotes B♭ E♭ A CIntervals ♭7 ♭3 13 1Base triadC minor, 1st inversion

The ♭7th gets a string of its own. The 13th takes the 5th’s string.

EE shape 3rd inversion Cm13/B♭
8 9 10 11 5 R 13 ♭3 ♭7

Frets x x 8 8 10 8Notes B♭ E♭ A CIntervals ♭7 ♭3 13 1Base triadC minor, 1st inversion

The ♭7th gets a string of its own. The 13th takes the 5th’s string.

EE shape 2nd inversion AnchoredCm13
8 9 10 11 R 13 ♭3 ♭7 5 R R

Frets 8 10 8 8 10 8Notes C G B♭ E♭ AIntervals 1 5 ♭7 ♭3 13Base triadC minor, 2nd inversion

The root drops to the string below the triad. The ♭7th takes the root’s string. The 13th gets a string of its own.

The rules

The construction rules Cm13 follows

  1. Start from a triad

    Root, 3rd and 5th, stacked in thirds. The 3rd makes it major or minor; the 5th makes it diminished or augmented when it moves.

  2. A third on top makes a 7th chord

    A major 7th over a major triad is maj7, a ♭7 is a dominant 7. Over minor you get m7 or m(maj7); over diminished, m7♭5 or the °7, whose 7th is lowered twice.

  3. Keep stacking for extensions

    The 9th, 11th and 13th are the 2nd, 4th and 6th an octave up. Each one sits on the stack below it: a 9th chord holds a 7th, a 13th holds the 9th and 11th in theory.

  4. On guitar, something has to give

    Each extension takes the string of a triad note that matters less, usually the 5th, or gets a string of its own. The root and 3rd stay: they say what the chord is.

  5. Drop what adds least

    A guitar chord has four to six notes. When the formula holds more, the 5th and then the 9th go first: the root, 3rd, 7th and top extension still say exactly what the chord is.

  6. The root can move down

    When an extension needs the root’s string, the root can drop to the string below the triad: an anchored voicing keeps the bass and frees a string on top.

All the rules, with examples, in the guide to the chord library.

Minor 13th in every key

Cm13 chord questions

What notes are in Cm13?

Cm13 is spelled C E♭ G B♭ D F A: C is the root, E♭ is the ♭3rd, G is the 5th, B♭ is the ♭7th, D is the 9th, F is the 11th, A is the 13th.

What is the formula of Cm13?

1 ♭3 5 ♭7 (9) (11) 13. It is a C minor triad with the ♭7th, 9th, 11th, 13th stacked on top.

How many ways can you play Cm13 on guitar?

This page shows 6 voicings of Cm13, filed under the five CAGED shapes and named by inversion, from the open position up to the 16th fret.

Which notes of Cm13 can you leave out on guitar?

The 9th and 11th. A guitar chord has four to six notes, so the notes that add the least go first, and the root, the 3rd, the 7th and the top extension still say exactly what the chord is.